Home Upcoming Events VIRTUAL – Singing In Our Winter Light G220141
Winter scene Pedernal with snowy bluff by Bryce Turner

VIRTUAL – Singing In Our Winter Light G220141

Winter Light allows new beginnings, a deepening of self, a brightening of song! Explore the art of spontaneous creation and improvisation and join in the joy of singing together in chants and songs of all sorts. This virtual Singing Journey Retreat will allow time and space to expand the parameters of one’s own voice. All voices welcome!

Sing in Winter Light.
Sing your prayers and intentions.
Sing ancient mantras or your very own.
Sing yourself wide open to the possibilities within and without.
Sing yourself into possibility of an expanded self, voice, and life experience.
Sing in your Light!

Place has always inspired artists of all sorts. Surrounding oneself with beauty or artistic grit seems nearly imperative. We know it to be true for healing as well. Ghost Ranch held, helped, and inspired legendary visual artist Georgia O’Keeffe. The land and space since her time has gone on to heal and hold many as a retreat space. The surrounding Desert paints with a palate of immense possibility. Both Virginia and Ruth share deep knowledge of the healing capacities of music, especially through voice. Both have studied with masters in the fields, wielding their own experience, knowledge, and expertise.

Vocal Artists Virginia Schenck and Ruth Cunningham come from seeming diverse ends of the musical spectrum. Virginia is a renowned international jazz vocalist and Ruth an Early Music chant expert from the iconic Anonymous 4 ensemble. They met in New York years ago through the channels of CircleSinging made famous by legendary Bobby McFerrin. Improvisation and sounds emanating from the self is where they meet, live, and breathe.

/- Scholarship SupportHelp others or receive help with the +$30 option to support another participant; -$30, use this option to receive a bit of help.

Virginia Schenck, known by the stage name VA, is an accomplished international vocal artist and jazz performer, utilizing both straight-ahead, spoken word, and free improvisation. VA is an imaginative vocalist with a broad stylistic reach. She can soothe her audience with a beautiful ballad, invigorate them with a re-imagined standard and challenge them with a powerful blast of free improvisation. Yet all of these aspects exist within one singular and unique voice.

VA often spices up her shows with world music influences from her own vocal exploration and CircleSinging, which she studied under the legendary Bobby McFerrin. Last year, she was honored to perform with McFerrin as part of his Atlanta, Ga., CircleSongs concert. In addition to performing with him, Virginia was handpicked to put together the exclusive 12-voice ensemble that led McFerrin’s CircleSongs for the concert. Read more about that here.

A Florida native, VA came to Georgia after graduating from Florida State University. While her degree was in Music Therapy, she studied jazz piano, voice and dance. She started singing jazz gigs while in school, and continued to perform after she launched her music therapy career. Her love of jazz was enriched through a friendship with drummer Jaimoe of the Allman Brothers Band.

Performing regularly in Atlanta’s top jazz and music venues, her recent appearances also include New York & Seattle for a play with totally improvised music, “The Gift”, with aerial dancers at The Robert Mondavi Ctr/UC-Davis, St Patrick’s Cathedral/Dublin, IR, Chartres Cathedral/France, Kripalu Yoga and Retreat Center, and Rome, Italy.

VA has released three critically acclaimed albums, which showcase her artistry. Her debut CD, VA (2012), generated serious buzz with jazz fans, immediately receiving global airplay with such artists as 2012 NEA Jazz Master, Sheila Jordan, who exclaimed, “Wonderful CD… Wonderful singer!” Her CDs, Interior Notions (2015) and Aminata Moseka: an Abbey Lincoln Tribute (2017) have followed similar suit. Her fourth album, Battle Cry (2020), is set for release on January 3.

VA’s grandmother, a suffragette in Philadelphia, was pregnant with her mother while campaigning for women’s voting rights in the 1920s. Almost a century later, the election of a new President in 2016 touched off a clarion call to arms, which, for Schenck, prompted a commitment to speaking, singing, and advocating in opposition to a rising tide of anti-democratic forces.

Stirred and moved by the current need for civil and human rights action, VA created her latest album Battle Cry (2020) to use the power of music to generate change. The message of the new album is not only of resistance, but also of peace, unity, and hope. “Jazz is built on a democratic system and music is my resistance,” VA says. “In my song ‘Hear My Battle Cry,’ I sing, ‘I will live in truth or die.’ For me, there is no middle ground.”

In 2018, VA co-led a pilgrimage to the Smithsonian National Museum of African American History and Culture with Rev. Kimberly Jackson, an ordained LGBTQ+ Episcopal priest and candidate for the Georgia Senate in 2020, and Dr. Catherine Meeks, executive director of the Absalom Jones Center for Racial Healing. She was invited to sing “Strange Fruit,” the protest song immortalized by Billie Holiday, in a memorial service for Georgia’s historic lynching victims at the Absalom Jones Center for Racial Healing on the Atlanta University campus.

So many of the messages we hear today speak of division and of exclusion. My role as a vocal artist is not only to entertain and to soothe but also to challenge, to provoke,” says Schenck. “If music is resistance, then jazz is freedom. Resistance is my mission, and freedom is my goal.”

Ruth Cunningham is a founding member Anonymous 4 and a sound healing practitioner. She specializes in early music performance as well as improvisational sacred music from varied spiritual traditions in both liturgical and concert settings. She works with individuals and groups on using the voice and music as tools for healing. With Anonymous 4, Ruth performed in concerts and festivals throughout the United States, Europe and the Far East and made thirteen recordings. Ruth’s own CD releases are Light and Shadow: Chants, Prayers and Improvisations and Harpmodes: Journey for Voice and Harp. She has released two CDs of multi faith chants with colleague Ana Hernandez: Blessed by Light and HARC: Inside Chants. She has been the musician for a number of summer courses for Ubiquity University in Chartres France. She has also performed and recorded renaissance music with Pomerium and is a regular member of the choir at St James Episcopal Church in New York City.
www.ruthcunningham.com
http://www.youtube.com/ruthreid
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Instructors

  • Ruth Cunningham
    Ruth Cunningham

    Ruth Cunningham is a founding member Anonymous 4 and a sound healing practitioner. She specializes in early music performance as well as improvisational sacred music from varied spiritual traditions in both liturgical and concert settings. She works with individuals and groups on using the voice and music as tools for healing. With Anonymous 4, Ruth performed in concerts and festivals throughout the United States, Europe and the Far East and made thirteen recordings. Ruth’s own CD releases are Light and Shadow: Chants, Prayers and Improvisations and Harpmodes: Journey for Voice and Harp. She has released two CDs of multi faith chants with colleague Ana Hernandez: Blessed by Light and HARC: Inside Chants. She has been the musician for a number of summer courses for Ubiquity University in Chartres France. She has also performed and recorded renaissance music with Pomerium and is a regular member of the choir at St James Episcopal Church in New York City.
    www.ruthcunningham.com
    http://www.youtube.com/ruthreid

  • Virginia Schenck

    Featured Instructor

    Virginia Schenck

    Virginia Schenck, known by the stage name VA, is an accomplished international vocal artist and jazz performer, utilizing both straight-ahead, spoken word, and free improvisation. VA is an imaginative vocalist with a broad stylistic reach. She can soothe her audience with a beautiful ballad, invigorate them with a re-imagined standard and challenge them with a powerful blast of free improvisation. Yet all of these aspects exist within one singular and unique voice.

    VA often spices up her shows with world music influences from her own vocal exploration and CircleSinging, which she studied under the legendary Bobby McFerrin. Last year, she was honored to perform with McFerrin as part of his Atlanta, Ga., CircleSongs concert. In addition to performing with him, Virginia was handpicked to put together the exclusive 12-voice ensemble that led McFerrin’s CircleSongs for the concert. Read more about that here.

    A Florida native, VA came to Georgia after graduating from Florida State University. While her degree was in Music Therapy, she studied jazz piano, voice and dance. She started singing jazz gigs while in school, and continued to perform after she launched her music therapy career. Her love of jazz was enriched through a friendship with drummer Jaimoe of the Allman Brothers Band.

    Performing regularly in Atlanta’s top jazz and music venues, her recent appearances also include New York & Seattle for a play with totally improvised music, “The Gift”, with aerial dancers at The Robert Mondavi Ctr/UC-Davis, St Patrick’s Cathedral/Dublin, IR, Chartres Cathedral/France, Kripalu Yoga and Retreat Center, and Rome, Italy.

    VA has released three critically acclaimed albums, which showcase her artistry. Her debut CD, VA (2012), generated serious buzz with jazz fans, immediately receiving global airplay with such artists as 2012 NEA Jazz Master, Sheila Jordan, who exclaimed, “Wonderful CD… Wonderful singer!” Her CDs, Interior Notions (2015) and Aminata Moseka: an Abbey Lincoln Tribute (2017) have followed similar suit. Her fourth album, Battle Cry (2020), is set for release on January 3.

    VA’s grandmother, a suffragette in Philadelphia, was pregnant with her mother while campaigning for women’s voting rights in the 1920s. Almost a century later, the election of a new President in 2016 touched off a clarion call to arms, which, for Schenck, prompted a commitment to speaking, singing, and advocating in opposition to a rising tide of anti-democratic forces.

    Stirred and moved by the current need for civil and human rights action, VA created her latest album Battle Cry (2020) to use the power of music to generate change. The message of the new album is not only of resistance, but also of peace, unity, and hope. “Jazz is built on a democratic system and music is my resistance,” VA says. “In my song ‘Hear My Battle Cry,’ I sing, ‘I will live in truth or die.’ For me, there is no middle ground.”

    In 2018, VA co-led a pilgrimage to the Smithsonian National Museum of African American History and Culture with Rev. Kimberly Jackson, an ordained LGBTQ+ Episcopal priest and candidate for the Georgia Senate in 2020, and Dr. Catherine Meeks, executive director of the Absalom Jones Center for Racial Healing. She was invited to sing “Strange Fruit,” the protest song immortalized by Billie Holiday, in a memorial service for Georgia’s historic lynching victims at the Absalom Jones Center for Racial Healing on the Atlanta University campus.

    So many of the messages we hear today speak of division and of exclusion. My role as a vocal artist is not only to entertain and to soothe but also to challenge, to provoke,” says Schenck. “If music is resistance, then jazz is freedom. Resistance is my mission, and freedom is my goal.”

Date

Jan 22 2022

Time

10:00 am - 3:00 pm

Cost

$95.00

Registration Guide

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